{"id":3863,"date":"2022-04-08T14:22:26","date_gmt":"2022-04-08T12:22:26","guid":{"rendered":"https:\/\/kunsthallemessmer.de\/uncategorized\/hans-joerg-glattfelder\/"},"modified":"2024-02-02T11:54:38","modified_gmt":"2024-02-02T10:54:38","slug":"hans-joerg-glattfelder","status":"publish","type":"post","link":"https:\/\/kunsthallemessmer.de\/en\/artists\/hans-joerg-glattfelder\/","title":{"rendered":"Hans Joerg Glattfelder"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3863\" class=\"elementor elementor-3863 elementor-1932\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7858d42 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7858d42\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-08d1b73\" data-id=\"08d1b73\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f17d14b elementor-widget elementor-widget-heading\" data-id=\"f17d14b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Hans Joerg Glattfelder<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-014c168 elementor-widget elementor-widget-image\" data-id=\"014c168\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/kunsthallemessmer.de\/wp-content\/uploads\/2022\/04\/Hans-Joerg-Glattfelder_Foto-Steven-van-Veen_kopie.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"Hans J\u00f6rg Glattfelder, Gr\u00fcne und violette Terminale aus schwarz und wei\u00df, 1990 Acryl auf Leinwand, 80 x 170cm \u00a9 kunsthalle messmer \/ Steven van Veen\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MzI4OCwidXJsIjoiaHR0cHM6XC9cL2t1bnN0aGFsbGVtZXNzbWVyLmRlXC93cC1jb250ZW50XC91cGxvYWRzXC8yMDIyXC8wNFwvSGFucy1Kb2VyZy1HbGF0dGZlbGRlcl9Gb3RvLVN0ZXZlbi12YW4tVmVlbl9rb3BpZS5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/kunsthallemessmer.de\/wp-content\/uploads\/elementor\/thumbs\/Hans-Joerg-Glattfelder_Foto-Steven-van-Veen_kopie-pnwjnr7zwnkwdqfenwvv3pwkvzw9tk9roc4jpiu60w.jpg\" title=\"Hans-J\u00f6rg-Glattfelder_Foto-Steven-van-Veen_kopie\" alt=\"Hans J\u00f6rg Glattfelder, Gr\u00fcne und violette Terminale aus schwarz und wei\u00df, 1990 Acryl auf Leinwand, 80 x 170cm \u00a9 kunsthalle messmer \/ Steven van Veen\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Hans J\u00f6rg Glattfelder, Gr\u00fcne und violette Terminale aus schwarz und wei\u00df, 1990 Acryl auf Leinwand, 80 x 170cm \u00a9 kunsthalle messmer \/ Steven van Veen<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4cca0cc elementor-widget elementor-widget-text-editor\" data-id=\"4cca0cc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Hans J\u00f6rg Glattfelder was a painter of constructive art whose beginnings were strongly influenced by the &#8220;Z\u00fcricher Konkreten&#8221;. He was the first artist who attempted to transfer the complex concepts of space in physics to constructive art. In his works, a new dialogue between science and fine arts is created. In order to distinguish his works of art from scientific-mathematical models, he describes them as &#8220;non-Euclidean metaphors&#8221;. In numerous articles, interviews and symposium contributions, Glattfelder advocates the presence of a rationally constituted art (\u201cMeta-Rationalism\u201d, 1983) and calls for interdisciplinary communication between the numerous constructivisms in science and art (\u201cmethodical constructivism\u201d). .<\/p>\n<p>born <strong>1939<\/strong> in Zurich<br \/><strong>1961<\/strong> project for development aid in Sicily, study stay in Rome<br \/><strong>1963<\/strong> Branch in Florence<br \/><strong>1966<\/strong> first solo exhibition in Milan at the Fiamma Vigo gallery<br \/><strong>1970<\/strong> moved to Milan<br \/>From <strong>1977 he<\/strong> created the series of works of \u201cnon-Euclidean metaphors\u201d, an examination of complex spatial concepts<br \/><strong>In 1977<\/strong> he met the philosopher HH Holz at RP Lohse, who pointed out to him the social relevance of constructive art<br \/><strong>1982<\/strong> published text against the cult of irrationalism with his position as &#8220;meta-rationalist&#8221;<br \/><strong>1987<\/strong> Camille Graeser Prize 1990 Studio in New York on a scholarship from the city of Zurich<br \/><strong>1992<\/strong> Retrospective at the Josef Albers Museum in Bottrop<br \/><strong>1998<\/strong> move to Paris, where Glattfelder still lives today<\/p>\n<p><a href=\"http:\/\/www.glattfelder.eu\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Hans Joerg Glattfelder<\/strong><\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Hans J\u00f6rg Glattfelder, Gr\u00fcne und violette Terminale aus schwarz und wei\u00df, 1990 Acryl auf Leinwand, 80 x 170cm \u00a9 kunsthalle messmer \/ Steven van Veen Hans J\u00f6rg Glattfelder was a painter of constructive art whose beginnings were strongly influenced by the &#8220;Z\u00fcricher Konkreten&#8221;. He was the first artist who attempted to transfer the complex concepts [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-3863","post","type-post","status-publish","format-standard","hentry","category-artists"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hans Joerg Glattfelder - Kunsthalle Messmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kunsthallemessmer.de\/en\/artists\/hans-joerg-glattfelder\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hans Joerg Glattfelder - Kunsthalle Messmer\" \/>\n<meta property=\"og:description\" content=\"Hans J\u00f6rg Glattfelder, Gr\u00fcne und violette Terminale aus schwarz und wei\u00df, 1990 Acryl auf Leinwand, 80 x 170cm \u00a9 kunsthalle messmer \/ Steven van Veen Hans J\u00f6rg Glattfelder was a painter of constructive art whose beginnings were strongly influenced by the &#8220;Z\u00fcricher Konkreten&#8221;. 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