{"id":3497,"date":"2022-04-04T16:24:05","date_gmt":"2022-04-04T14:24:05","guid":{"rendered":"https:\/\/kunsthallemessmer.de\/non-classifiee\/cesar-andrade\/"},"modified":"2024-02-02T11:43:23","modified_gmt":"2024-02-02T10:43:23","slug":"cesar-andrade","status":"publish","type":"post","link":"https:\/\/kunsthallemessmer.de\/fr\/artistes\/cesar-andrade\/","title":{"rendered":"C\u00e9sar Andrade"},"content":{"rendered":"\t\t
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C\u00e9sar Andrade<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cesar Andrade, Puntigrama 150, 1989, N\u00e4gel auf Acryl und Holz, 73 x 101 cm \u24b8 Steven van Veen, Schwanau<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cesar Andrade est artiste, po\u00e8te et musicien. En tant que cin\u00e9tiste, Andrade travaille avec la g\u00e9om\u00e9trie des ongles et tente de cr\u00e9er une surface vibrante \u00e0 travers eux. Les principaux \u00e9l\u00e9ments g\u00e9om\u00e9triques qui d\u00e9terminent la disposition des clous sont la ligne et le point. La proximit\u00e9 et le vide sont \u00e9quilibr\u00e9s, cr\u00e9ant une surface vibrante, tandis que les lignes diagonales et inclin\u00e9es cr\u00e9ent des effets inattendus, transformant la surface en une grille. Une partie essentielle du travail d’Andrade est la lumi\u00e8re. L’irradiation frontale directe ne produirait aucune profondeur. Cependant, lorsqu’il y a une source de lumi\u00e8re lat\u00e9rale indirecte, on peut voir une image n\u00e9gative de l’\u0153uvre sous forme d’ombres qui dupliquent la surface des \u00e9l\u00e9ments repr\u00e9sent\u00e9s. Les clous sont les \u00e9l\u00e9ments principaux des \u0153uvres d’Andrade.<\/p>\n\n

n\u00e9 en 1939<\/strong> \u00e0 Guarico, Estado Lara, Venezuela
A \u00e9tudi\u00e9 \u00e0 El Tocuyo et \u00e0 L\u00b4\u00e9cole des Arts Plastiques de Barquisimeto
1964<\/strong> professeur \u00e0 l’Ecole des Arts plastiques d’Acarigua, Estado Portuguesa, Venezuela
1968<\/strong> expositions au Venezuela; Voyager en Europe, d\u00e9m\u00e9nager \u00e0 Paris
1969<\/strong> Etudes intensives sur le th\u00e8me des lignes, expositions des premiers \u00ab\u00a0linigramas\u00a0\u00bb en France
En 1970<\/strong> , il suit les cours de dessin de Franck Popper \u00e0 l’Universit\u00e9 de Vincennes et de Jean Cassou au Coll\u00e8ge de France.
Nombreuses expositions individuelles et collectives
vit et travaille \u00e0 Paris<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Cesar Andrade, Puntigrama 150, 1989, N\u00e4gel auf Acryl und Holz, 73 x 101 cm \u24b8 Steven van Veen, Schwanau Cesar Andrade est artiste, po\u00e8te et musicien. En tant que cin\u00e9tiste, Andrade travaille avec la g\u00e9om\u00e9trie des ongles et tente de cr\u00e9er une surface vibrante \u00e0 travers eux. Les principaux \u00e9l\u00e9ments g\u00e9om\u00e9triques qui d\u00e9terminent la disposition […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3497","post","type-post","status-publish","format-standard","hentry","category-artistes"],"yoast_head":"\nC\u00e9sar Andrade - Kunsthalle Messmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kunsthallemessmer.de\/fr\/artistes\/cesar-andrade\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00e9sar Andrade - Kunsthalle Messmer\" \/>\n<meta property=\"og:description\" content=\"Cesar Andrade, Puntigrama 150, 1989, N\u00e4gel auf Acryl und Holz, 73 x 101 cm \u24b8 Steven van Veen, Schwanau Cesar Andrade est artiste, po\u00e8te et musicien. 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