{"id":3775,"date":"2022-04-08T13:09:34","date_gmt":"2022-04-08T11:09:34","guid":{"rendered":"https:\/\/kunsthallemessmer.de\/non-classifiee\/dadamaino\/"},"modified":"2024-02-02T11:49:20","modified_gmt":"2024-02-02T10:49:20","slug":"dadamaino","status":"publish","type":"post","link":"https:\/\/kunsthallemessmer.de\/fr\/artistes\/dadamaino\/","title":{"rendered":"Dadamaino"},"content":{"rendered":"\t\t
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Dadamaino<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dadamaino, Oggetto otico-dinamico, 1961, Aluminium und schwarze Farbe auf Holz, 90 x 90cm \u00a9 messmer foundation<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dadamaino, n\u00e9e Eduarda Emilia Maino, est une artiste italienne de l’avant-garde milanaise des ann\u00e9es 1960. Elle se fait remarquer \u00e0 la fin des ann\u00e9es 1950 pour sa s\u00e9rie de toiles perfor\u00e9es en noir et blanc, similaires aux \u0153uvres de Lucio Fontana, qu’elle baptise \u00ab\u00a0Volumes\u00a0\u00bb. \u00c0 l’\u00e9poque, elle \u00e9tait membre de la galerie Azimuth de Piero Manzoni \u00e0 Milan, qui \u00e9tait associ\u00e9e \u00e0 d’autres groupes d’artistes tels que le groupe allemand ZERO, le groupe n\u00e9erlandais Nul et le groupe fran\u00e7ais Motus. L’artiste rejoint plus tard le mouvement \u00ab\u00a0Nouvelle Tendance\u00a0\u00bb. Dans les ann\u00e9es 1970, Dadamaino cr\u00e9e des \u0153uvres d’op art sous forme d’\u0153uvres optiques psych\u00e9d\u00e9liques. Plus tard, dans les ann\u00e9es 1980, elle d\u00e9veloppe des signes ressemblant \u00e0 des lettres, qu’elle reproduit \u00e0 plusieurs reprises sur de petites toiles. Dadamaino est toujours l’un des artistes les plus progressistes d’Italie.<\/p>\n

n\u00e9 en 1935<\/strong> \u00e0 Milan
1958<\/strong> premi\u00e8re exposition personnelle, Galleria dei Bossi, Milan
1968<\/strong> exposition \u00ab\u00a0L’\u0153il du public\u00a0\u00bb, Hamburger Kunsthalle
1980<\/strong> XXXIX. Biennale de Venise
1980<\/strong> Exposition \u00ab\u00a0Arte e critica\u00a0\u00bb, Galleria Nazionale d’Arte Moderna, Rome
d\u00e9c\u00e9d\u00e9 en 2004<\/strong> \u00e0 Milan<\/p>\n

Collections (s\u00e9lection)<\/h4>\n

Tate Gallery Londres, Royaume-Uni
Fondation Solomon R. Guggenheim, Venise, Italie
Fondation pour l’art concret, Reutlingen<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Dadamaino, Oggetto otico-dinamico, 1961, Aluminium und schwarze Farbe auf Holz, 90 x 90cm \u00a9 messmer foundation Dadamaino, n\u00e9e Eduarda Emilia Maino, est une artiste italienne de l’avant-garde milanaise des ann\u00e9es 1960. Elle se fait remarquer \u00e0 la fin des ann\u00e9es 1950 pour sa s\u00e9rie de toiles perfor\u00e9es en noir et blanc, similaires aux \u0153uvres de […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3775","post","type-post","status-publish","format-standard","hentry","category-artistes"],"yoast_head":"\nDadamaino - Kunsthalle Messmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kunsthallemessmer.de\/fr\/artistes\/dadamaino\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dadamaino - Kunsthalle Messmer\" \/>\n<meta property=\"og:description\" content=\"Dadamaino, Oggetto otico-dinamico, 1961, Aluminium und schwarze Farbe auf Holz, 90 x 90cm \u00a9 messmer foundation Dadamaino, n\u00e9e Eduarda Emilia Maino, est une artiste italienne de l’avant-garde milanaise des ann\u00e9es 1960. 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