{"id":3822,"date":"2022-04-08T13:27:55","date_gmt":"2022-04-08T11:27:55","guid":{"rendered":"https:\/\/kunsthallemessmer.de\/non-classifiee\/lucio-fontana\/"},"modified":"2024-02-02T11:52:48","modified_gmt":"2024-02-02T10:52:48","slug":"lucio-fontana","status":"publish","type":"post","link":"https:\/\/kunsthallemessmer.de\/fr\/artistes\/lucio-fontana\/","title":{"rendered":"Lucio Fontana"},"content":{"rendered":"\t\t
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Lucio Fontana<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u0152uvre de la collection :<\/strong> Lucio Fontana \u2013 Teatrino-Concetto spaziale, aluminium perfor\u00e9 sur carton, 1950, 49,5 x 49 cm. <\/p>\n

L’artiste italien d’avant-garde de la premi\u00e8re g\u00e9n\u00e9ration d’apr\u00e8s-guerre est devenu c\u00e9l\u00e8bre pour ses coupes transversales. Avec son \u00ab\u00a0Manifesto blanco\u00a0\u00bb, l’artiste a appel\u00e9 \u00e0 s’\u00e9carter des mat\u00e9riaux conventionnels dans l’art. Dans son \u00ab\u00a0Manifesto spaziale\u00a0\u00bb compos\u00e9 plus tard, il a assum\u00e9 la fin de tous les genres artistiques statiques, qui devraient \u00eatre remplac\u00e9s par l’art dynamique. L’\u0153uvre \u00e9tait destin\u00e9e \u00e0 fonctionner uniquement \u00e0 travers l’imagination du spectateur, en ce sens qu’elle devait \u00eatre lib\u00e9r\u00e9e \u00ab\u00a0de toute rh\u00e9torique picturale et propagandiste\u00a0\u00bb. Fontana a mis en \u0153uvre ce nouveau concept spatial en perforant des images et en obtenant ainsi une plasticit\u00e9 au lieu d’une \u0153uvre bidimensionnelle. Le motif de trous a \u00e9t\u00e9 principalement cr\u00e9\u00e9 sur des images monochromes d\u00e9pourvues de d\u00e9limitation de la zone. L’espace doit \u00eatre consid\u00e9r\u00e9 comme un \u00ab\u00a0continuum illimit\u00e9 et se d\u00e9roulant librement\u00a0\u00bb \u00e0 la fois dans la peinture et dans la sculpture. D\u00e8s lors, l’artiste baptise son \u0153uvre \u00ab Concetto spaziale \u00bb (\u00ab concept spatial \u00bb). A partir de 1950 il r\u00e9alise ses premiers \u00ab\u00a0Buchi\u00a0\u00bb (trous). Dans ces \u0153uvres, il a coup\u00e9 la toile. Le support de l’image et donc la condition de base de la peinture traditionnelle ont \u00e9t\u00e9 d\u00e9truits. Avec son travail, il a inspir\u00e9 le groupe d’artistes allemand ZERO.<\/p>\n

N\u00e9 en 1899<\/strong> \u00e0 Rosario, Argentine ; geste 1968 \u00e0 Comabbio, Italie
1905<\/strong> r\u00e9installation \u00e0 Milan
1914-1915<\/strong> \u00e9tudes \u00e0 l’\u00e9cole des m\u00e9tiers de la construction de Milan, o\u00f9 il obtient un dipl\u00f4me
1922-1928<\/strong> Retour en Argentine, y travaille bri\u00e8vement comme ing\u00e9nieur, plus longtemps comme sculpteur dans l’atelier de son p\u00e8re
1928<\/strong> Retour en Italie, \u00e9tudes \u00e0 l’Acad\u00e9mie de Brera, Milan
1930<\/strong> premi\u00e8re exposition personnelle \u00e0 la \u00ab\u00a0Galleria del Milione\u00a0\u00bb, Milan, participation \u00e0 la XVIIe Biennale de Venise
1934<\/strong> Rejoint le groupe d’artistes parisien Abstraction-Cr\u00e9ation
1935<\/strong> D\u00e9but du travail de la c\u00e9ramique
1939<\/strong> s’installe \u00e0 Buenos Aires, enseignant \u00e0 l’\u00e9cole d’art d’Altamira, qu’il fonde
1946<\/strong> Initiateur du \u00ab\u00a0Manifesto blanco\u00a0\u00bb (\u00ab\u00a0Manifeste blanc\u00a0\u00bb), qui reprend les id\u00e9es du futurisme
1947<\/strong> Retour \u00e0 Milan
Les premi\u00e8res toiles perfor\u00e9es sont apparues dans les ann\u00e9es 1950<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u0152uvre de la collection : Lucio Fontana \u2013 Teatrino-Concetto spaziale, aluminium perfor\u00e9 sur carton, 1950, 49,5 x 49 cm. L’artiste italien d’avant-garde de la premi\u00e8re g\u00e9n\u00e9ration d’apr\u00e8s-guerre est devenu c\u00e9l\u00e8bre pour ses coupes transversales. Avec son \u00ab\u00a0Manifesto blanco\u00a0\u00bb, l’artiste a appel\u00e9 \u00e0 s’\u00e9carter des mat\u00e9riaux conventionnels dans l’art. Dans son \u00ab\u00a0Manifesto spaziale\u00a0\u00bb compos\u00e9 plus tard, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3822","post","type-post","status-publish","format-standard","hentry","category-artistes"],"yoast_head":"\nLucio Fontana - Kunsthalle Messmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kunsthallemessmer.de\/fr\/artistes\/lucio-fontana\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lucio Fontana - Kunsthalle Messmer\" \/>\n<meta property=\"og:description\" content=\"\u0152uvre de la collection : Lucio Fontana \u2013 Teatrino-Concetto spaziale, aluminium perfor\u00e9 sur carton, 1950, 49,5 x 49 cm. L’artiste italien d’avant-garde de la premi\u00e8re g\u00e9n\u00e9ration d’apr\u00e8s-guerre est devenu c\u00e9l\u00e8bre pour ses coupes transversales. Avec son \u00ab\u00a0Manifesto blanco\u00a0\u00bb, l’artiste a appel\u00e9 \u00e0 s’\u00e9carter des mat\u00e9riaux conventionnels dans l’art. 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