{"id":3961,"date":"2022-04-08T14:41:09","date_gmt":"2022-04-08T12:41:09","guid":{"rendered":"https:\/\/kunsthallemessmer.de\/non-classifiee\/joan-miro\/"},"modified":"2024-02-02T12:01:24","modified_gmt":"2024-02-02T11:01:24","slug":"joan-miro","status":"publish","type":"post","link":"https:\/\/kunsthallemessmer.de\/fr\/artistes\/joan-miro\/","title":{"rendered":"Joan Mir\u00f3"},"content":{"rendered":"\t\t
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Joan Mir\u00f3<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u0152uvre de la collection :<\/strong> Mir\u00f3, Personne sur fond bleu, lithographie, 1957, 32 x 25 cm.<\/p>\n

* 20 avril 1893<\/strong> \u00e0 Barcelone, Catalogne ; \u2020 25 d\u00e9cembre 1983<\/strong> \u00e0 Palma de Majorque<\/p>\n

Au d\u00e9but de son travail, Miro s’est occup\u00e9 des styles d’art en vogue \u00e0 l’\u00e9poque : le fauvisme et le cubisme.
En 1919, Miro se rend \u00e0 Paris, o\u00f9 il rencontre Pablo Picasso, Wassily Kandinsky, Paul Klee et Hans Arp. Inspir\u00e9 par eux, Miro commence \u00e0 d\u00e9velopper son style caract\u00e9ristique de peinture de r\u00eave. Quelques ann\u00e9es plus tard, Miro rencontre Andr\u00e9 Breton, le dada\u00efste qui se consacrera plus tard au surr\u00e9alisme lyrique. Avec Andr\u00e9 Breton, Andr\u00e9 Masson et Max Ernst, ils forment un groupe d’artistes surr\u00e9alistes \u00e0 Paris.<\/p>\n

\u00ab\u00a0Il y a trois formes qui me hantent constamment : un cercle rouge, la lune et une \u00e9toile\u00a0\u00bb (Joan Miro). Des images aux traits \u00e9nigmatiques et parfois ironiques sont caract\u00e9ristiques des \u0153uvres de Joan Miro. Il utilise des figures animales (ex. homme-oiseau) et des formes torsad\u00e9es, organiques et g\u00e9om\u00e9triques. Ses images sont \u00e9galement qualifi\u00e9es de \u00ab\u00a0na\u00efvet\u00e9 joyeuse\u00a0\u00bb.
Joan Miro a qualifi\u00e9 ses peintures de po\u00e9sie. Il diff\u00e9rait \u00e9galement des principes du surr\u00e9alisme dans sa fa\u00e7on de travailler. Il n’a pas laiss\u00e9 ses peintures surgir spontan\u00e9ment et sans consid\u00e9rations d’accompagnement sur la toile, comme beaucoup de surr\u00e9alistes ont fait les leurs. Au contraire, Miro fait de nombreuses \u00e9tudes pr\u00e9liminaires de ses peintures.<\/p>\n

Dans l’espace public, par exemple, ses murs en c\u00e9ramique ornent le b\u00e2timent de l’UNESCO \u00e0 Paris et le mus\u00e9e Wilhelm Hack \u00e0 Ludwigshafen am Rhein ; Des sculptures monumentales sont install\u00e9es sur les places de Barcelone et de Chicago, entre autres.
1907<\/strong> Acad\u00e9mie des Beaux-Arts de Barcelone<\/p>\n

Expositions (s\u00e9lection)<\/h4>\n

1930<\/strong> Premi\u00e8re exposition aux USA \u00e0 la Valentine Gallery New York
En 1933<\/strong> , des peintures grand format sont cr\u00e9\u00e9es \u00e0 partir de collages
En 1934<\/strong> d\u00e9bute sa p\u00e9riode dite \u00ab\u00a0sauvage\u00a0\u00bb avec des pastels sur velours
1935-1938<\/strong> plusieurs expositions internationales d’\u0153uvres surr\u00e9alistes
En 1940<\/strong> , il retourne \u00e0 Paris, mais quitte la France pour l’Espagne lorsque les troupes allemandes envahissent
De 1940<\/strong> \u00e0 1948<\/strong> , il a v\u00e9cu en Espagne et a cr\u00e9\u00e9 de nombreuses sculptures, graphiques, c\u00e9ramiques et peintures murales pendant cette p\u00e9riode.
En 1947<\/strong> , il visite pour la premi\u00e8re fois les \u00c9tats-Unis et y r\u00e9alise plusieurs expositions personnelles, la plus importante \u00e9tant une r\u00e9trospective au Museum of Modern Art de New York.
En 1952<\/strong> , son \u00ab\u00a0style libre et puissant\u00a0\u00bb a commenc\u00e9
En 1954<\/strong> , ses \u0153uvres sont pr\u00e9sent\u00e9es pour la premi\u00e8re fois en Allemagne dans une exposition \u00e0 Krefeld
En 1954<\/strong> , il re\u00e7oit le Grand Prix de Graphisme \u00e0 Venise
En 1956<\/strong> , il s’installe \u00e0 Majorque, o\u00f9 il cr\u00e9e \u00e9galement un grand studio
En 1958<\/strong> , il re\u00e7oit le prix Guggenheim
En 1960<\/strong> , son nouveau style abstrait commence
En 1966<\/strong> , des statues monumentales en bronze de Mir\u00f3 sont cr\u00e9\u00e9es pour la premi\u00e8re fois
1968<\/strong> doctorat honorifique de l’Universit\u00e9 de Harvard
En 1971<\/strong> , il fonde la Fundaci\u00f3, la Fondation Mir\u00f3, \u00e0 Barcelone. C’est encore aujourd’hui le mus\u00e9e Mir\u00f3 le plus important
1979<\/strong> doctorat honorifique \u00e0 Barcelone
En 1979<\/strong> , Mir\u00f3 a con\u00e7u des vitraux d’\u00e9glise et a re\u00e7u un doctorat honorifique de l’Universit\u00e9 de Barcelone<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u0152uvre de la collection : Mir\u00f3, Personne sur fond bleu, lithographie, 1957, 32 x 25 cm. * 20 avril 1893 \u00e0 Barcelone, Catalogne ; \u2020 25 d\u00e9cembre 1983 \u00e0 Palma de Majorque Au d\u00e9but de son travail, Miro s’est occup\u00e9 des styles d’art en vogue \u00e0 l’\u00e9poque : le fauvisme et le cubisme.En 1919, Miro […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3961","post","type-post","status-publish","format-standard","hentry","category-artistes"],"yoast_head":"\nJoan Mir\u00f3 - Kunsthalle Messmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kunsthallemessmer.de\/fr\/artistes\/joan-miro\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joan Mir\u00f3 - 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