{"id":3973,"date":"2022-04-08T15:28:39","date_gmt":"2022-04-08T13:28:39","guid":{"rendered":"https:\/\/kunsthallemessmer.de\/non-classifiee\/klaus-j-schoen\/"},"modified":"2023-12-22T13:25:35","modified_gmt":"2023-12-22T12:25:35","slug":"klaus-j-schoen","status":"publish","type":"post","link":"https:\/\/kunsthallemessmer.de\/fr\/artistes\/klaus-j-schoen\/","title":{"rendered":"Klaus J. Schoen"},"content":{"rendered":"\t\t
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Klaus J. Schoen<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Klaus J. Schoen, Ohne Titel, 1968, \u00d6l auf Leinwand, 185 x 140 cm \u24b8 messmer foundation<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Klaus J. Schoen est l’un des repr\u00e9sentants les plus importants de l’art abstrait en Allemagne. Il a d\u00e9velopp\u00e9 son propre langage formel, alors que ses \u0153uvres s’apparentent \u00e0 celles d’artistes am\u00e9ricains du mouvement Hard Edge tels que B. Kenneth Noland, Frank Stella et Elsworth Kelly. L’approche exp\u00e9rimentale de Schoen des \u00e9l\u00e9ments de base de sa peinture forme un prolongement logique. Klaus J. Schoen traite depuis de nombreuses ann\u00e9es des possibilit\u00e9s et des probl\u00e8mes de l’abstraction g\u00e9om\u00e9trique. N\u00e9anmoins, dans son travail, Schoen va au-del\u00e0 de la syst\u00e9matique rationnellement d\u00e9termin\u00e9e ou math\u00e9matiquement calcul\u00e9e de l’art concret-constructif. En plus de tous les \u00e9l\u00e9ments esth\u00e9tiques formels, ses \u0153uvres ont \u00e9galement une dimension sensuelle. Cela se produit dans une recherche d’harmonie. Pour ce faire, il structure la toile avec des bandes ou des zones de largeurs diff\u00e9rentes, les disposant en intervalles et rythmes tant\u00f4t horizontaux, tant\u00f4t verticaux, tant\u00f4t diagonaux et se croisant. Chaque couleur est \u00e9gale \u00e0 l’autre. Dans certaines s\u00e9ries d’\u0153uvres, il \u00e9largit \u00e9galement la port\u00e9e cr\u00e9ative du support d’image g\u00e9n\u00e9ralement rectangulaire avec des formats irr\u00e9guliers. Dans l’interaction de la ligne, de la couleur et de la surface, l’artiste teste \u00e0 plusieurs reprises les possibilit\u00e9s visuelles.<\/p>\n

n\u00e9 en 1931<\/strong> \u00e0 Koenigsberg
1951-1952<\/strong> Universit\u00e9 des arts appliqu\u00e9s, Berlin-Weissensee
1952-1958<\/strong> Coll\u00e8ge des Beaux-Arts, Berlin-Charlottenburg
1957<\/strong> \u00e9tudiant en master avec Ernst Schumacher
1957<\/strong> Premi\u00e8re exposition en tant qu’invit\u00e9 du Berlin Neue Gruppe
Vit et travaille \u00e0 Berlin<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Klaus J. Schoen, Ohne Titel, 1968, \u00d6l auf Leinwand, 185 x 140 cm \u24b8 messmer foundation Klaus J. Schoen est l’un des repr\u00e9sentants les plus importants de l’art abstrait en Allemagne. Il a d\u00e9velopp\u00e9 son propre langage formel, alors que ses \u0153uvres s’apparentent \u00e0 celles d’artistes am\u00e9ricains du mouvement Hard Edge tels que B. Kenneth […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3973","post","type-post","status-publish","format-standard","hentry","category-artistes"],"yoast_head":"\nKlaus J. 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