Upcoming exhibition

The Language of Color

50 Years of André Evard (1876–1972) with Paul Klee, Willi Baumeister, Max Ackermann, Erich Heckel, and Other Icons of Modernism

October 17, 2026 – April 18, 2027

Top: André Evard, Cherry Blossoms, 1908, watercolors; Les Roses, 1923, oil on canvas; Bottom: André Evard, Avec les oiseaux, 1908, watercolor on paper; Blue Roses, 1924, oil on canvas

On the occasion of the 150. Birthday by Swiss artist André Evard, the Kunsthalle Messmer is presenting from October 17, 2026, through April 18, 2027 a major anniversary exhibition. As one of the most significant pioneers of Swiss abstraction, Evard developed his own distinctive visual language—blending figuration and abstraction—as early as the beginning of the 20th century, and is considered one of the most important pioneers of modern art.

André Evard, Cherry Blossoms II, 1908, watercolors; André Evard, Girl with an Umbrella, 1911, watercolor on paper

The exhibition centers on more than 100 works that are returning to Germany for the first time following their successful world tour at the Powerlong Art Museum in Shanghai (June 12 to September 20, 2026). The exhibition shown there, featuring a total of 172 works, garnered significant international attention and impressively underscored Evard’s growing importance in the international art scene.

André Evard, Alps (Jungfrau), 1945, oil on cardboard; Right: Erich Heckel, Clouds of Fog Between Mountains, 1953, watercolor, Erich Heckel Estate, Hemmenhofen

Building on this international success, the Kunsthalle Messmer presents André Evard’s four major groups of works: his early works, influenced by Art Nouveau; his classical still lifes; his vibrantly colored landscapes; and his consistent evolution toward an abstract visual language.

André Evard, *La Machine*, 1925, oil on hardboard; Willi Baumeister, *Abstraction on Light Gray*, 1927, mixed media on cardboard, photo: Gerhard Sauer

The exhibition is complemented by significant works by his contemporaries, including Paul Klee, Georges Braque, Willi Baumeister, Max Ackermann, Erich Heckel, Auguste Herbin, and Sonia Delaunay, as well as other icons of modernism.

André Evard, *Cosmos II*, 1956, oil on hardboard; Paul Klee, *The Play of Forces in a Landscape*, 1917, oil on canvas, Galerie Rosengart

Together, the exhibition traces the fascinating beginnings and developments of abstract art in the early 20th century and honors André Evard’s outstanding contribution to European modernism.

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Impressions

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